Custom for dummies

June 2nd, 2009 Comments

Let’s give it up for Joe Pulizzi.

When I first heard he was creating Junta42, a marketplace for custom publishers and brands, I thought we were in for another ad network play, a jobsite, or a competitor to the Custom Publishing Council’s referral service. J42 is most of that and a whole lot more. Pulizzi is one smart dude: When he sees a wind blowing, he tacks right into it. Custom: got that. Publishers’ referrals: got that. Digg-like aggregation about custom content: got that too. J42 has even managed the trick of coopetition with the CPC, no easy feat.

Pulizzi’s best trick, however, is turning this little windup toy about custom publishing into a model for his business: he really eats his own dogfood. J42  collects user-submitted articles to be voted up by registrants, and Pulizzi emails the best to his user, marketing his own custom publishing company (Z Squared) while simultaneously taking a cut on referrals—at this point more than 100 matches between brands and custom publishers who pay $4395USD a year—compared to membership in the CPC (from $1,700-21K/year (depending on company revenue) for roughly the same service. Between sales and referrals (no real advertising here), that’s a nice business. You have to give this guy props.

And yet.

As a onetime custom magazine publisher whose roots and tendrils have always been unambiguously digital even when he was working with print, I can’t reconcile the reality of custom publishing with distributed brand intelligence.

I sense Pulizzi knows this too: his definition of custom is nothing dogmatic, rather a big tent accommodating everything from the classic brand monologue, print or online, no matter how well or poorly produced, to the most up-to-the-minute social media and content marketing schemes. The Junta42 model, which Pulizzi explains in a white paper is based on the rising costs of interruption economics (brand advertising), the sinking fortunes of media companies, and the seeming bliss of consumers who seem to be just as open to blogs as they once were to big media brands and their partners in brand advertising. Inside this big tent, it’s all content marketing and it’s all good. As brands get bigger, savvier, and realize that their content—even their spec content—is gold, they will only pay more to bet smarter about content strategy, content marketing tactics, and content management, and Junta42 will be there to guide them.

Good stuff. Pulizzi is clearly onto something. If I had money, I might even join J42; I could use a new client or two, and if he’s doing as much volume as it seems, the $4K might even be a good investment. Unfortunately for me, I don’t have the cash—and (perhaps more important) can’t summon up the same enthusiasm for custom publishing. Don’t misunderstand: I believe there’s plenty of good brand-sponsored publishing to be done, nearly all of it online. Brands ignore the remixed associated value of their content—repeat: remixed, associated value of their content—at their peril. Understanding how to innovate down to the bit, relearning brand storytelling across the datasphere in new story forms is why I’m here.

Custom for dummies?

But that’s not custom publishing. The competitive essence of custom publishing is its ability to write and publish in the style of popular journalism—mimicking the real thing in look and feel—but wholly disassociated from the credibility and competence of newsgathering. Custom aims to boost and protect a brand. It’s not about you. Not that there’s anything wrong with that. There’s plenty of consumers who could care less about the news curve. But let’s call this what it is: a disguise, a feint, a kind of editorial ventriloquism. As if readers/users won’t know the difference between content related to news and content related to marketing, promotion, and sales. Here: take this magazine and remember us the next time you have a problem with your car! Here: take this magazine and remember us the next time you accuse us of not having any imagination! Here: take this magazine and remember us the next time you can’t find a product in our giant database. Here: take this magazine and FOR PETE’S SAKE WOULD YOU SHUT UP—we’re giving you this gorgeous magazine FOR FREE!

Charlie McCarthy: Editorial ventriloquist

Charlie McCarthy: Editorial ventriloquist

This is why Luce wanted a Chinese wall between editors and business, Church and State. Why ASME still insists on labeling advertorials. Why nearly all custom cannot compete for brand advertising, even in unrelated categories. (Custom publishers say they create high perceived value with consumers but if that was the case, why wouldn’t they compete for customers and advertisers?) And (perhaps I don’t need to say this), it is why user generated content exists. To blow a hole in this mockery of independent judgment and reporting, of pseudo-news and real news. To put an end to dummy-to-dummy publishingpassive consumer to monologuing customer publisher.

Making the bridge from conversational farce (ventriloquism) to conversational, customer dialogue and customer service seems to me an almost impossible leap. As I said above: I just can’t square custom publishing with distributed brand intelligence. Juntas aren’t distributive democracies. Period. (Does anyone see the irony in naming a business that promotes popular ideas about publishing for a term that is all about a military brand monologue?)

Of course the custom publisher/content marketers of the world don’t see it this way. Since most big companies are dropping their expensive custom magazines, all they see is fresh opportunities, whether by sticking with the magazine model—locking content behind DRM systems such as Zinio and Idio or DRM-protected emags or even PDFs fit for the utopian ideal of a color Kindle. Or they are going the social media route, adding marketing blogs or other social media conventions to massive online brand destinations. Ad infinitum, ad nauseum: Follow us on Twitter! Check us out on Facebook! Hear our brand soundtrack on MySpace! Join our FunClub/Ambassadors Club/MeClub. We get it—even if we don’t know what we get out of it (but check out our white paper for the mumbo jumbo on why you should be promoting your brand on My Twitface including the 10 best ways to turn 140 characters into great marketing 22 times a day!). Welcome the age of content marketing!

Not. The problem with all of this is that content marketing, like custom before it, craves control and abhors real conversation. You don’t need a paternity test to see it’s the same DNA. This is the same ol’ same ol’. Content marketing prefers the lopsided asymmetry of promotion to real customer dialogue. Why do you think Twitter is the tool du jour of content marketers? If you have something to promote, what better way than getting into a realtime stream with asymmetrical follow? Why do ya think company after company is craving so-called social media experts and why an army of self-proclaimed social media expert is rising up to meet this demand. The whole thing gives me a strong sense  of déjà vu. I’ve seen this movie before, maybe even a couple times already: These are the same folks who made the “dot com” revolution. Who crowed about Web 2.0. And who are now heralding a new age of content marketing.

Conversation for dummies

Not all content marketing is so ugly. Since one of the hats I wear is “content strategist,” I’m among the first to recognize that there’s significant value in propping up marketing in the Orwellian newspeak of the distributive web. My experience is that when content marketing is conversational marketing—when it maintains authentic dialogue and conversation rooted in the use cases of real people who actually use the products, when it aims at participation instead of passive ingestion of brand factoids—it has the potential to be way cool. Conversational marketing may sound oxymoronic but it is a job that needs to be done. I’ve been saying for a decade that the web turns every company into a media company, whether they like it or not. A Citibank/HP/BP/Audi/Levi Strauss can spend money on brand advertising or they can touch consumers directly with brand-associated content through self-assembling evangelists. (By the way, I take it as obvious in the extreme that the first job of content strategy is helping companies get a grip on the fundamental audit, positioning, CMS, sort, and content creation routines that are the bread and butter of CS.)

But evangelism, especially self-organized evangelism, ain’t easy. Brand advertising works less and less. Web-site destinations are plummeting in popularity. Last week, David Armano, a top UX designer now working on Jeff Dachis’s stealth SaaS collaboration software,  wrote that he was killing his own website, and that almost everyone else should too. “Your website should provide value to all of your users,” wrote Armano. “If you can get them to participate, then do what ever it takes achieve that. In other words, it doesn’t matter if your site looks more or less like a blog, what matters is if you’re doing something to transform behavior from the passive to the active.” I couldn’t have said it better myself.

I’m not saying companies shouldn’t have brand publishing initiatives, or websites, or that they not undertake marketing initiatives via Facebook, Twitter, LinkedIn and the rest. Go for it. But if you do, try to make such initiatives be an invitation to active participation, to dialogue, to content that enjoins and extends a company content into a shared customer ecosystem of connection, conversation, and collaboration that is inherently uncontrollable—and highly prone to influence.

Conversation is not an enterprise designed to yield extrinsic profit, a contest where a winner gets a prize: it’s an unrehearsed adventure. More like playing to gamble than to win or lose. It’s all about the bet, about the place where different universes meet, acknowledge each other, and enjoy an oblique relationship which doesn’t require or forecast assimilation. It’s the one place where difference really matters.

And as long as brands insist on control, they’re playing a losing bet.

Surrender with your hands up!

So how do you start a conversation? How do you give up control? How do you turn passive brand factoiding into active participation where the inmates are liberated from the asylum of the brand?

There’s a whole ‘nother post to be written about this. But it can be done. In print, online, and in just about any kind of application you’re interested in betting on. Blogs help a lot. Blogs establish voice, deepen authenticity, provide insight and create instant culture. Gawker, for example, is planning to grow its sponsored advertising faster than its brand advertising. Take a look at Bloodcopy, its recent experiment with HBO’s True Blood. Just as Valleywag no longer exists independently of Gawker, so Gawker is publishing Bloodcopy across its various properties— pretty much indistinguishable from its typical editorial “except [said Chris Batty, Gawker’s vice president of sales and marketing] that the blog is written by an undead, bloodsucking ghoul…“If we’re around in three or four years, the majority of our advertising revenue will be in sponsored posts like this.”.

OK, I know what you’re saying. That’s not participatory. It’s not on the newscurve. And it’s not very scalable. But what would happen if, say Dell, sponsored a beat on Jezebel, a Gawker property catering to women, about galtoys—and almost entirely unrelated to Dell technology. Or if Volkswagen sponsored a reporter to test drive a dozen cars running on biodiesel. Or if American Express sponsored a blog about small business and really let it rip, competing directly with the Wall Street Journal. (Oh wait: Amex is already more than halfway there with openforum.com— maybe the best site on small business anywhere.) What if your favorite hotel chain started using Facebook to let you tell the hotel what was terrific—or sucked—about its facilities? What if it helped you connect to someone on the other side of the pool? Whichever side of the continuum of social media avails we choose to enter—from blogs that can potentially exist on the newscurve to Tweets and Facebook pages that go beyond promotion to active engagement with products—the opportunity to engage in conversation over promotion must be true north for content marketing. This is most definitely not custom publishing.  

Indeed as a former ink stained wretch, one of the things I like best about this model is that it contains the opportunity for  brands to expand the reported environment through their own thirst for user intimacy. This works particularly well in microdistributed contexts (Twitter and Facebook) and provides far more returns—quantitatively (and maybe qualitatively)— in terms of content and sponsor value than both mainstream media and branded content marketing (i.e., custom publishing online).

Caveats? You betcha. First: Your Monetize May Vary. If you think this is the way to increased brand ROI, you might be disappointed. You might also be delighted. ROI direct to sales may be limited. But ROI related to brand strength may be strengthened. The question you have to ask is: What job does this campaign need to do? So if you go this route, do it because you want to touch a specific audience who will associate reporting on this subject with your brand. Think associatively, act directly. If you do it because you want to spread info about your company, raise its brand, or even have people think your company is on the ball, you lose. This is about authenticity and independence.

Second caveat: Custom publishing can’t do this. Once you go this route, you become the media. You are making the same wager media companies have taken for years, betting that your brand is strong enough to support and even shine on associated content and vice versa. You are no longer in the realm of brand boosting but consumer interaction in and through media.

So don’t screw it up with layers of control. It’s a conversation—not a monologue. Any dummy knows that!

Are they dummies? Are they custom publishers?

Are they dummies? Are they custom publishers?

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  • In addition to the crime of using "Monetize" as a noun, you remind me of Claude Rains in "Casablanca," in expressing shock that there is self-interest expressed in the content of custom media. I'm just going to pick on this one point of your dissertation and try not to shudder at lingo like "distributed brand intelligence," which sounds like it means something but really doesn't... And that point is you tar with too broad a brush the quality, news value or innate worthiness of custom content. Sure, there's plenty of schlock out there, but do you think any consumer or recipient is fooled by it? There is also good stuff, stuff that looks and feels like "real" publications and "real" reporting content because, hey, it is! And it also features independently sold advertising. How is this possible? Because custom media sponsors, and I can personally show you examples of several that we work with, want it that way. Because to them good custom media is about serving readers/ members, and their sponsorship represents a juxtaposition of brand with content. There's a spectrum represented here, with pure journalism at one end and pure advertising on the other; good custom media occupies a spot perhaps right of center, but to the left advertorial. This leaves you lost in a semantic tangle of your definition of custom media. But to update McLuhan, the media is not just the message, the media is the messenger. And the custom messenger has all the same awareness of the risks and rewards of church v. state as your sainted "real" and, as we know now, truly "unbiased" media.
  • bromo
    Andrew, thanks for your comment. Sorry about using monetize as a noun—guilty!—but I really like the phrase Your Mileage May Vary, and Your Monetization May Vary didn't have quite the same rhythm to me. Oh well: YMMV:)

    As for the rest, well, I'm afraid we just disagree. I’m not making the case against self-interest in custom media or any kind of media, for that matter. I’m making the case for participation and engagement and service to customers, not brands. Custom publishers say they have customers top of mind, but in my experience, most are busy promoting brands through the privilege of being able to own their own press. That’s not a customer focused, customer service business, that’s the business of customizing your own bespoke brand editorial. In some strictly B2B contexts, where there are few mainstream sources to be found on abstruse subjects such as chemical engineering, that business model kinda makes sense, and that may be the ace in the hole for B2B custom publishers such as Imagination. But it makes less and less sense as more and more people have that once-elite privilege of being able to publish what they want how they want.

    In any event, I’m not debating custom’s credibility or lack thereof. My point is that custom's legacy as the arm of promotionally oriented brand editorial is inimical both to the spirit and technology of the distributive web, of feed-driven, networked and metagged XML. Mock the term "distributed brand intelligence" all you want—ok it does sound silly and pretentious—guilty AGAIN!—but it lies at the center of a revolution. You say it sounds like it means something but really doesn’t; I say Google proves you wrong a billion times every day.

    And that brings me to the crux of it. Custom publishing is now playing in a very different strategic sandbox than it has throughout its history, but you’d never know it to look at most of the offerings. If you’re not propagating your data through XML and metatags to the network, you’re not competing. This isn’t about publishing new custom web destinations or finding new forms of multimedia storhytelling. Torch that money somewhere else; the smoke's getting in my eyes. it’s understanding the value of the data brands own and figuring out new ways of helping customers tell that story whatever way they want to across the search ecosystem.

    My take is that custom just can’t do that. Its entire history is about publishing the hierarchically ordained story of brands. Sure there are good custom mags that do more. But the entire culture is just culturally, technologically, and emotionally out of touch with the needs of users operating the randomized search ecosystem today and tomorrow. By all means, call yourself a content marketer instead of a custom publisher if it makes you happy, but unless and until your brands let their data fly free of their own control, changing your name will not help. It's still the same address.
  • Gang...Andrew makes some great points.

    Here's the point...all content has an agenda (even "unbiased" content). The content that is truly valuable to its readers, whether done by brands or media companies, is what's important here.

    Craig...I personally get just as much quality information that solves my "pain points" or challenges from brands as I do media companies. Brands must become their own publishers and custom publishers help them get this done.

    Now and into the future, custom publishing/content marketing - well, it's just going to be plain old marketing. Brands will continue to market their products and services by showing customers they have something valuable to give beyond the product or service. That creates trust, and a long-term relationship is possible.

    Look at custom projects such as willitblend.com. That's all the marketing Blendtec does and they are now the blender kings of the world (because of their fans). Look at P&G's Homemadesimple.com. A wonderful place to get "home-on-the-go" content. Over 1 million happy users have signed up, and it serves P&G at the same time. Mutual benefit.

    In wrapping this up, I guess I would agree with you Craig that some don't get it. But they will because they have to. If they don't they won't be around. I also agree with Andrew - there is a lot of really great custom content out there that works for both sides. We'll continue to see more of it (because brands don't have a choice if they want to develop relationships with their customers).

    Now how's that for a political answer. Good conversation guys.
  • bromo
    Hi Simon‚ thanks for your very interesting reply. I would love to talk with you.

    A few years ago, I would certainly have agreed with you about custom's increasing relevance in the relatively random universe of networked XML. I'm less sure today. I'm particularly less sure given the state of custom publishing in the US--as opposed to contract publishing in the UK. I actually had a paragraph in this piece saying that the UK contract scene might have more ability to swim in these new currents than the US scene but pulled it because so few American custom publishers seem to know or care. As I noted, they don't want to compete and can't. And now they're falling behind the Gawkers/Daily Candy/Urban Daddy's of the world —not to mention pureplay digital agencies from Digitas (which does the Openforum for Amex) to Barbarian (which just designed Cookstr, for ex.)

    UK contract publishers are guns for hire, and they are used to competing for every reader. As I'm sure you know, until just a recently, 10 of the top 20 bestselling magazines in the UK were contract published. In the US, one of the few custom mags to go consumer—Hallmark—was recently defenestrated. (You know that best of all since Hallmark started in your offices.)

    I love your blog and am struck by how many of my postings and Story's seem parallel. But I also know you're a Brit, and I've seen that the history of folks importing the UK model here is spotty (remember John Brown Citrus's play a few years back?) The US model may be waning—I hope it is—but the point of my post in a way was to wonder outloud whether American custom's history—its long service of big boring brand monologues by the world's biggest companies—hasn't irrevocably damaged it, particularly relative to the competitive prospects of entrepreneurs with pureplay digital backgrounds.

    I don't know the answer of course. But it does seem to me that something new has to evolve here. Pulizzi's model is one way, and a good one (at least for him). So too though are Crayon's and Shel Israel's and Chris Brogan's—all of them pure web based consultancies that have utterly divorced themselves from custom's legacy.

    Let's talk!
  • bagsofkell
    Hey Craig,

    Thanks (re our blog) and I agree, still a long way to go. We have a new one launching in a few weeks and its going to raise some eyebrows :).
    Re UK/US custom publishers - I can only speak for us and we're still here 14 years on, so is Redwood and Future. John Brown's arrogance didn't work here - or maybe they were just unlucky. In any case I think you may be right in general: UK contract publishers may well be better poised to thrive in the post advertising age (I hope so we have a major presence in London). I would add though that there are plenty of custom publishing pioneers here that really et it. Joe's one of them, I think we are, so is ex Hammock and then you have the EatMedias of the world who are also thriving. I would argue that if done well, a custom publishing background applied to post advertising marketing challenges (whether it be social media, mobile, video or just plain old web content) would trump most if not all Digital Agencies. I know this because I've talked to many of them and in their words 'we can't do what you do'. Sadly too few custom publishers realize this and when they do it'll be too late.
  • Craig...I must say this was a good read. First off, I'm honored and humbled by your "Joe Pulizzi" statements. There's a couple places I would disagree with you about the CPC relationship, but we can talk about that one-on-one.

    I think Simon stole my thunder with his statement below. Custom publishing, content marketing, branded content...heck, even content strategy...it's all the same thing to me, and it mostly means the same for marketers (actually, most don't know what it means). We will continue to see bad custom publishing and even bad conversational marketing. Yes, that whole "control" thing is a big deal to custom publishers and brands that produce custom magazines. But they pretty much all know those days are over, and if you ask them, they'd like to keep time in a bottle and not give that control up that worked so well 20 years ago. I think all custom publishers are aware of this, some are just having difficulty in figuring out how to do it.

    Great content marketing (to Simon's point below) must be all about the creation of content that helps develop a real relationship with customers. Great content - develop trust - customers want to be involved with you - you sell more products and services.

    Custom publishing (the custom publishing of today) has to do this. The custom publishing of the past doesn't really exist anymore. Control was lost a long time ago, if it ever was there in the first place.

    Looking forward to continuing the conversation with you Craig.
  • bromo
    Hi Joe, thanks so much for your generous response. Kudos to you for having created a model that is truly unique, self-perpetuating, and attuned to the realities of what's going on out there. Really great stuff.

    I'd love to hear about the CPC thing just for prurient reasons! But to restate what I wrote above (below?) to Simon, this isn't about quality but rather about history and about how the paradigmatic shift from brand monologue and the technologies that gird it to brand narratives that are aleatory, random, and conversational. As I said in the piece, your tent is big enough (and should be) to hold both these things. I'm just less convinced that custom—at least US custom--can make the shift to the new paradigm. I suspect it's a lost cause, and that folks who are custom publishers are bailing water as fast as they can...but are finding few takers (and when they do are making a mess of it.)

    So much of content marketing is promotional sludge, a step backwards even from custom. But I don't think the fancy pedigree of custom publishers will make the sludge run any clearer in the Google engine. Quite the contrary because the control issue is so deeply embedded in custom's DNA. It's all fine and well to say we are beyond control, but when you look at custom products in this country, it's clear that's not the case. I agree with you when you say that control was lost a long time ago however. But the consequence of that is that custom has long seemed fusty and irrelevant and as failed to create real customer gains. For that to change, custom would have to lose its history.

    And then it wouldn't be custom anymore:-)

    Let's talk!
  • bagsofkell
    You had me up until:

    'But that’s not custom publishing. The competitive essence of custom publishing is its ability to write and publish in the style of popular journalism—mimicking the real thing in look and feel—but wholly disassociated from the credibility and competence of newsgathering.'

    I disagree - at least when custom publishing is done well. Overall I think you make some very pertinent and valid points, yet my contention would be that smart custom publishers should be able to make the leap to help steer brands become publishers and that they are better positioned than any other type of marketing organization to do it. The sad truth is that few will however. Either through poverty of imagination, balls or both. The reason they're best suited? Because they do follow the editorial discipline of newsgathering and understanding reader needs. They also understand how to creative editorial platforms (the brand equivalent of which would be story platforms) that are based on the truth of the brand/channel and the perceptions of their audience.

    As the founder of the CPC I understand what Custom publishers have to offer in the content strategy era. We left the CPC a year ago because our view of the changing brand/content world was evolving much more quickly than that of most of the CPC members and it was time to move on. Joe is one of the few from the world of custom publishing that understands this too.

    I (and I'd bet Joe) think you nail it with:

    'I’m not saying companies shouldn’t have brand publishing initiatives, or websites, or that they not undertake marketing initiatives via Facebook, Twitter, LinkedIn and the rest. Go for it. But if you do, try to make such initiatives be an invitation to active participation, to dialogue, to content that enjoins and extends a company content into a shared customer ecosystem of connection, conversation, and collaboration that is inherently uncontrollable—and highly prone to influence.'

    In the meantime to see some examples check out storyworldwide.com and our blog postadvertising.com and then lets have a conversation :)
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